It has been an approximate half
century since Pop art was in it’s prime, what Princeton Art Professor, Hal
Foster called “The First Pop Age” in
the title of his 2012 book on the subject. The influence of Pop Art has endured
since then, leap-frogging a number of art movements in it’s path. In 1989
Critic Paul Taylor wrote, “Two and a half
decades after the event, Pop Art has re-emerged as the most influential
movement in the contemporary art world.” In 2012 several major museums, including MOCA
in Las Angeles and the Metropolitan in New York, mounted major shows around the
influence of Andy Warhol alone.
Richard Hamilton said, “If the artist is not to lose much of his
ancient purpose he may have to plunder the popular arts to recover the imagery
which is his rightful inheritance.” Artists continue to mine popular
culture and advertising for inspiration’ mediators, traversing the line between
high and low culture, continuing what might now be considered a new tradition.
Some do works betraying affection for their subject or utilize humor, while others
create works seriously critical of our consumer society. Still others harbor an
ambiguous relationship with popular culture having a sort of love/hate
relationship with it. Robert Rauschenberg
Said, "The artist's job is to be a
witness to his time in history." Today more than ever popular culture
and advertising permeate our society.
Artists in
Phoenix and its surrounding cities are not immune to this influence. Many work
in a vein that is a continuation of
Pop Art themes, while others may only occasionally create a piece that might be
considered Pop Art Yet not totally unable to avoid what permeates the air.
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