Friday, December 7, 2018


Band Days
I can remember listening to a record I had and singing along with it. I think it was a Doo Whap thing. I said “it sure would be nice to be able to sing on a record like that.” And my mom said she didn’t see why it would not be possible. Several years later when I first heard the Beatles on the radio, music was beginning to change. After seeing the Beatles on the Ed Sullivan Show, I along with many others had the desire to be in a band. Jim Carson who lived across the street from me played the piano, guitar and drums even though Jim had been blind all of his life. Gary the kid next door got a cheap Japanese Guitar and learned to play, so I took up drums and sang lead. British invasion bands were big with at the time so we named this group The Mods. We played a lot of Rolling Stone’s songs and practiced at Jim’s house. The Woman that lived across the alley from Jim heard us and hired us to play at a fire fighters alumni thing. Jim only had a snare drum which I used along with a large box which I kicked for a bass drum and a barbecue grill for a symbol so I Barrowed a set that a friend of mine, Bill, had for the gig.  This was the only gig we had. It was a lot of fun though. Probably because it was the first time any of us had performed in front of people.
For a short time I was in a band called the Society. My friend Bill, Who’s drums I had borrowed, played drums another friend Willy played bass a guy named Phil, who lived down the street from me, played rhythm guitar and I sang lead and we were looking for a lead guitarist. A guy named Danny Pacheco who played drums with the house band, The Mile Ends, at a local teen club named The Fifth Estate, owned by Jim Museil who had JD’s up the street, said he would get us a gig there when we had our act together. I went on vacation with my family and when I got back the band was no more. ???
Sometime I was asked to join a band that a friend named Ernie Escalante had called Grass. They had a singer but he wanted two. He said if I could sing like Robert Plant I was in. I practiced some Led Zeppelin songs and did alright but the band broke up before I did anything. Grass played at a club in Tempe called The Mill. They sold records up front and had a club in the back. I did a phycadelic sign for them in exchange for some records. Tom Freeman who was later in bands with me was going to play drums with Grass in a battle of the bands because there drummer hadn’t showed up. It was in the parking lot of Tower Plaza Mall which had a Wallach’s Record Store were you could go in a booth and listen to records before you would buy them. So Tom went in and listened to Good Times, Bad Times the song they planned to play. There drummer got there in time so Tom didn’t get to play.
Several years later my brother Scott who had taken up bass guitar after having played violin in the school band and his friend Tom Freeman on drums and Bob Casciato on rhythm were jamming with Jim Carson and invited me to come and sing. They did a Neal Young song that I didn’t do very well. In spite of that I was invited to join a band they were forming. Eventually this band came to be known as Samurai. Eventually my wife at the time’s sister Peggy joined the band as a second singer. We did Stone’s stuff and some Beatles mixed with some other stuff. Peggy wasn’t in the band too long though; I think we only did one gig. Her husband thought it took too much of her time and made her quit. We carried on as a 5 piece. We played at high school dances and other gigs from time to time sometimes Bob wouldn’t be with us and people would say we sounded better than ever. So though Bob was a nice guy we ended up letting him go. Bob probably got better because he still plays guitar. We carried on as a 4 piece. We began to play more Rod Stewart things as his Voice was amazing to me. I gargled Brandy to try and sound like that. One gig we had a gig at the Squaw Peak Inn were New Times was located at the time. We did a Faces song a key lower than them but a guy came out and said we sounded just like them. Even though we did it a key lower I was happy.
At first we got a Custom amp as a PA system. We made some speaker boxes to go with it. My brother was cutting out the boxes with a power saw and asked to borrow Jim’s sun glasses to keep the sawdust from his eyes. When he put them on they were full of scratches and smudges since Jim never cleaned them. Scott jokingly said to Jim “no wonder you can’t see, these glasses are filthy.” Latter we got a Peavey PA system.
There was a battle of the bands thing at the State Fare where anyone in the show got an hour free studio time. So we joined just for that. We didn’t win but we got what we wanted. I don’t remember who won. D.R. Welk took a film of us at that gig. D.R. was a friend of Scott’s that played guitar was invited to join the band after that. We practiced a song Jim and I wrote called Here Comes The Train and a version of Bobby Daren’s Splish Splash that we did and one other to get ready. Two of the guys in that band, DR. and Tom, now have recording studios. We played a gig at Gerard High School as that group. Steve Smith a friend of mine who was in a local band that I liked, Poland, was at that gig to listen. Soon Jim got into heroin and missed some gigs so we had to let him go. Jim hung out with some undesirable characters then. I later heard that he got his guitar stolen by someone when he was at a party, and later was shot to death. Taking the wrong path can lead one in directions never intended. But looking back Samurai was one of the most fun bands I was in. I sometimes think I should have tried to help him but that’s water under the bridge.
After that we got a friend of D.R.’s to join the Band as a second guitarist, Ralph Dykes. We changed the name of the band to Spooo at D.R.s suggestion. I still think another we thought of would have been good, Studebaker Hawk. We also considered The Brookline Dodgers. We began by doing songs by Alice Cooper, Jimi Hendrix, Deep Purple, The Allman Brothers and others. Guitarist Bruce Cannole heard the band doing In Memory of Elizabeth Reed by the Allman Brothers and complimented us on having two good guitarists. Where I had been more or less the leader in Samurai, D.R. was the leader in Spooo. We soon began to do originals written by D.R. and myself. We practiced in a room that was approximately 10 feet by 10 feet at full volume with large amps. It’s amazing that I can still hear. We played at some high school dances a couple of George McGovern for President events among others. One Gig we did was at a local high school’s back to school gig. I found it ironic that we played Schools Out by Alice Cooper. Another was a New Year eve  gig at a high school. Since it that night we drank beer behind our amps. D.R. was very into Frank Zappa so our originals had time changes and were in odd times so we didn’t go over with kids that wanted to dance and hear songs they were familiar with.
One night my friend Steve Smith invited me to a party. He had been touring as roadie with Quick Silver Messenger Service. Harold Aceves had been their drummer. Scott and D.R. were with me. Steve took me into the bathroom and gave me a snort of cocane. That was one of the few times I had cocain. They had some musical equipment set up in the living room so we jammed on a Bloodwin Pig song and some others. It was Scott on bass, Harold on drums, me on vocals, Steve and D.R. on guitars. We actually sounded pretty good. Maybe it was just the drugs.
 We considered moving to Las Angeles and made a trip over there to check things out. We ended up going to Disney Land and camping out with some friends who lived there. We never did check things out. D.R. and Tom went to a concert that made them decide the band needed a better bass player. We tried some people out. One I remember, Tom thought he was pretty good but D.R. said Scott was better. That told me that it was D.R. that had decided to replace Scott. I decided to quit the band after that. Soon Scott and Tom were jamming with another guitarist that D.R. described as “just another Eric Clapton.” D.R. soon married my sister in-law Peggy and they eventually formed the Phoenix band Blue Shoes. After seeing Blue Shoes play I said to D.R. that I Liked Rock and Roll and he said he did too. Scott and Tom moved to Oregon soon after the band broke up. Scott continues to play bass. He has been on several CDs and played in a band with Mick Avory when he lived in Europe. Avory was in the Kinks and did the first gig with the Rolling Stones, he also played on one of the first albums I owned “Kinkdom”.
My marriage was coming to an end around that time and I eventually joined up with Brad Buxer and Paul Sanchez in a band they were forming that came to be called Berlin. We tried out several bass players one of which had ben with Ernie Escalante’s band.  We played a few gigs But I was eventually asked to leave because I didn’t sound like Jon Anderson of Yes. The bass player George Gillmore quit and told me about a band that needed a bass player and a singer called Flight. So we joined them and played a few gigs. The biggest thing we did was open for Spirit, a band in with their best days behind them. Also on that bill were some of the guys that would go on to form the band Mr. Mister. Eventually Brad and Paul were putting together another band. They came to hear Flight at a gig we had with their new manager Ed. It turned out that Ed wanted to see and hare me. This was an audition for the band they were putting together, though I didn’t know it at the time, which came to be Copenhaver. Their new bass player was Stewart Golladay and the drummer was Gene Gilbert who was the brother of Gary Gilbert who had played with Mike Bruce before he went on to be with Alice Cooper. Gene could also sing.  I joined as the lead singer; members of Flight went on to form The Freeze Band, a band that put out an album. This band was different in that they had a manager who played a mager roll in getting jobs and selecting songs. We Played at various gigs around town and eventually went on the road with a booking company out of Chicago, thanks to Ed. We played several gigs in the Midwest. My favorite was a gig we had in Austin, Texas. While in Austin we went to a taco place to eat. The girls at the counter kept laughing. Ed asked what they were laughing about, and they said “it’s because you-all talk so funny”. When we got to Lawton, Oklahoma things were looking up. At first they said we could play as loud as we wanted but when we vibrated the glasses off the shelf behind the bar they told us to turn down. At the gig that night the police showed up and took us away because Brad was a minor and we were playing in a place that sold alcohol. After that the booking company decided to let us go. Ed had evidently not told them some of our members were minors. When we got back to Phoenix Paul decided to get rid of Brad. A new keyboard player was hired and we did a few gigs. I decided to quit since I didn’t agree with getting rid of Brad. I talked to Brad and soon we were forming a new band. Before long Stewart and Gene joined us. Brad and I wrote a few songs. Brad made some remarks about my girlfriend and future wife, so I quit. The other guys in the band especially Stewart felt the need for a guitarist, so after running across Bruce Cannol Who asked if I knew any bands that needed a guitarist I suggested he get in touch with those guys. Soon Bruce was in the band along with a friend of Gene named Pat, on vocals. I went to a few practice sessions to listen since they were doing songs I had written with Brad. I got the impression that Bruce didn’t like Pat and he wouldn’t play Brads songs. It seemed he was just biding his time. Eventually that band ended. Bruce went on to be in Billy Clone and The Same and Brad went to ASU to study composition. Eventually Brad and Bruce would come back together in the Jetzons with Stewarts Brother, Steve, on drums and Former Billy Clone member Damon Dorion on Bass. I did there Jetzon’s logo, took Pictures of Brad and did some ads for them. Brad told me at that time there fans would be more impressed if he was on heroin than that he had studied music at ASU. They cut a short album at Warner Brothers Studios in Burbank California with Mike Condello producing. Eventually they broke up. Bruce and Damon went on to play in several Phoenix bands. Brad went on to play with Matthew Wilder of the one hit Break my Stride. He eventually played and toured with Stevie Wonder’s band before spending about 10 years as Michal Jackson’s music director and keyboard player. I decided that Rock and Roll was for those younger than me (this was a few years before The Cars) and didn’t join any other bands and got married. I had drawn all this time so after seeing some paintings in Scottsdale started painting. I wrote and recorded some demos but never did anything with them. I sometimes play Drums with friends and have remained a longtime friend with Ralph who played guitar in Spooo.. Scott now lives in Mexico and continues to play bass.
   I sometimes think that some people get in bands for the wrong reasons. I feel that the main motivating factor should be the love of music and creating. Some get in bands for the girls or hoping to get a lot of money. It would be nice to make a living doing what you like but it doesn’t always happen.  As for the girls, most are not worth the time. They go after bands for all the wrong reasons. My brother was in a band with Mick Avory of the Kinks and made records with members of the Tonight Show band but he seems just as happy playing with Mexican bands. Mike Condello who was the music director for the Wallace & Ladmo Show and produced the Jetzons album along my friend Vince Welnick who played with the Tubes and the Grateful Dead, both committed suicide. I don’t know why but being successful didn’t bring them happiness.
It’s the same with making art. It should be done for the love of it and creating something. I used to think of painting as a way to get rich and famous. But I have always drawn and was happy doing it. Some make it and never step out of the box. It’s much better to be like Picasso and just do what you like. It doesn’t matter if you make it. It’s the fun of creating that should drive one.

Tuesday, May 29, 2018

REVIEW of SHOWS 2017

SCOTTSDALE POP 
AT LOTUS CONTEMPORARY ART IN SCOTTSDALE
THANKS GOES TO DENISE FLEICH 

 BED REST 
AT UNEXPECTED GALLERY IN PHOENIX 4 of 6 paintings in show
  
CHAOS THEORY 18
AT LEGEND CITY one on right
THANKS GOES TO RANDY SLACK

 BID UP
AT THE MESA CONTEMPORARY ART MUSEUM uper left

TINY WORKS, TINY DANCES
AT 9 THE GALLERY queen & mick
THANKS GOES TO LAURA DRAGON

Thursday, July 27, 2017

On Painting

ON PAINTING
  Painting is an art that reached it's peak during the renaissance. Since then, applying paint to a surface has been experimented with in almost every way. Painting has often been declared dead. So in an era when painting is seldom considered on the cutting edge of contemporary art, why pursue it? 
When talking about Lucian Freud after his death an art critic from England said in effect that we talk about the stars of conceptual art but it's paintings that we love.
 In my work I use elements of abstraction and various degrees of realism to achieve a desired affect that varies from piece to piece. Inspiration in much of my recent work is taken from popular culture, especially the transient nature of things, like fame and fashion, the persona we create in our minds about famous people we know only by the songs they sing, the parts they play and what we read in magazines. We come to love or hate people we have never met by the fables invented about them. By extension we may also create persona for ourselves and play out the parts based on these illusions. I also like to riff on art, like a jazz musician quoting passages or giving it a new spin, in a continuum of traditional themes, especially imagery that has entered popular culture. Some works are more lyrical and others more narrative. I love art and the varying creative processes. I brush spray splatter drip and stencil the paint, whatever it takes. I have always created because I enjoy it. While art can make one think, and the best art does. I believe the main motivation should be the joy of doing it. It has been said that van Gogh suffered for his art. Perhaps his art eased his suffering.

Thursday, March 2, 2017

BACK 
My computer has been down for some time so I havent been able to post. Had a few sales recently, still have more than Van Gogh in his lifetime so I can't complain. I was recently thinking about how I was once told that artist shouldn't paint what they like. I think most artist do what they want so this theory is hogwash. More on that later. Nice to be back.

1916 in Review


The year started off with a solo show at Urban Bears hosted by 9 the Gallery.
Photo by Ted Decker
There was the contnuation of the Southwest Invitational at the Phoenx Airport Museum.




The 7th Year exibit at the PUSH Gallery




Chaose Theory 17 at Legend City




NICO-ICON at the 10x10 show 
Mesa Contemporary Arts Museum


Thursday, July 7, 2016




Another Random Thought

Jaco Patorius Painted on a wall by someone that can paint

I just watched a documentary about Jaco Pastorius. Sad that such a great bass player died so young. Too bad the Rock & Roll Hall of fame (& others) has a negative view of people who can really play. Progressive Rock sometimes gets out of hand but those people know their instruments. The closest the Hall has gotten is Pink Floyd. It’s like what is considered art. Good painting and sculpture are considered too old fashioned. I do like newer pop and rock but to say someone has no sole because they know their instrument is stupid. Brad Buxer once told me the Jetzons fans didn’t care that he studied music at ASU, they would be more impressed if he was on heroin. That kind of describes the Rock and Roll Hall of Fame. Enough of these Mickey Mouse stars lets have someone who can really play.
Lets have artists that can draw.

Thursday, March 31, 2016

The 66 Kid... Book Review 



I have for a long time thought about putting down in righting my life. Not that it’s more special than anyone else but just to do it. I recently read Bob Boze Bell’s book The 66 Kid and as I read it I thought a lot about my own earthly sojourn. I’ve read several of Bell’s books but I enjoyed this one the most. I can’t pinpoint why exactly, perhaps it’s because he saw the Beatles a band that had a big influence on me. “I bought one of Bell’s comics because it dealt with the Beatles.” But I did see Hendrix, the Stones and Led Zeppelin among many others. My brother even had a meal with John Paul Jones, Bass player with Led Zeppelin. I saw half of the Beatles, McCartney and Starr; likely I even heard them better. I never played Little League ball but I have been to some ball games. Perhaps it was being raised in the West about the same time, watching some of the same cowboy shows on TV. I always appreciated the humor in his New Times cartoons. The humor is here too, but there is feeling one doesn’t find elsewhere. The book is full of quotes that fit the text perfectly. The book is also full of artwork and photos that illuminate the text. I have to say that I enjoyed this book and recommend its reading to all. It was a much quicker read than the Naifeh/Smith book Van Gogh The Life that I finished after it was again brought to my attention. I also recommend this book to anyone interested in van Gogh.


Thursday, January 21, 2016

Random Thoughts

Random Thoughts

Last January I had a stroke. Shortly before that I found out I had several others. At that time my right hand started acting strange. So I tried doing a painting to see if I still could. That ended up being “Who are the Quick and the Dead.” After the larger one I tried another painting, a large one of myself. I had told my wife that I wanted to get looser in my painting. The work is looser but now I see that I also want the control. It’s a little scary to try to paint now, but it will only get better if I do. I am thankful that my wife, Patsy, made a good decision in the course she took and I know that it was not an easy one. I love her and know how much she loves me even if I don’t always show it.

I thank all who did exhibits of my work, even when it wasn’t the most recent. Lara dragon for doing a retrospective titled “This Was Now” Nicole Royce for including me in the “Celebrity” exhibit, Fred Tieken for putting me in the inaugural show at the new Tiegen Gallery, and to Randy Slack for including me in the “Sweet 16 Chose Theory”. It was a busy autumn. Though I only sold at Tiegen so far, at least it was seen. In all I have sold more than van Gogh did in his life. And I’ve been included in galleries that featured Pattie Boyd and Linda McCartnry.

Thinking back, I used to do paintings about death. They were sometimes unreadable. I didn’t really think that much about what I was saying. Death has become more close to me now. I have lost both of my parents and I came close myself, almost a year ago. As a friend of mine said, “I don’t mind ding; I just don’t want to hurt.” I can relate to that. The life we have is actually quite short, which becomes clearer as the end gets closer, more noticeable as time runes out. I hope this isn’t too depressing. Just trying to say do what’s important while there is time. Really search for the importance.

I Did do a painting not to long ago when both my wife’s and my mother were both thinking about ding, not wanting to be on dialysis any longer. Originally I was going to do something different with me standing behind an empty chair, but then decided to use a Photo my wife took of me in Venice at the French pavilion. I did change the face (Looking sideways) and the background.


The French Pavillion 

I did get to go to France for the fourth time this last summer. For a while it seemed not so, but in the end we went. Didn’t get to Spain as I Hoped but thanks to a friend and Patsy’s sister we went. Didn’t get to visit all the paces I hoped to but had a good time just the same. It was nice to spend some time in Arles and see the van Gogh drawing exhibit. We did get to the Orangerie in Paris too. Hope to get back soon.



That’s all for now. I need to get back to painting...

Art & Music

Art & Music

Art and music are combined in my mind. A while back I realized that the reason I do many of my paintings in a square is the influence of the album cover art. Many of the bands of the so called British Invasion that moved me into music had members that had gone to or met in art school. Take for instance The Beatles, Paul McCartney at age eleven won a prize for a drawing he did. Paul and Ringo both do paintings now. John Lennon and Stuart Sutcliffe met in art school. Another Brian Epstein managed group Gerry & the Pacemakers’ Movie “Ferry Cross The Mersey” featured them at art school. Kieth Richards was in art school when the Rolling Stons began and where the Talking Heads meet?  The Kinks were an early favorite of mine so I was happy to here that my brother who goes by Sonny, (who I had been in a band with) was in a band with their drummer Mick Avory when he lived in Europe. I had been in a band and written songs with Brad Buxer who would go on to wright and play with Michel Jackson and Stevie Wonder after leaving the Jetzons. All in all, part of my creative juices has always been toward music. Why I bought a drum set a rhythm box and a recorder in the 80s and began writing songs instead of painting. I’ve always been drawn to guitars especialy the classics like Gibson, Fender and Rickenbacker, even though I never played one in a band. To old to Rock & Roll to young to die… So make iphonrt. see photos and link below


Paul McCartney with painting near Tucson, Arizona. 
Photo by Linda McCartney

 Spooo wth Sonny center. 
Below- 
Billy Ohare Trio — with Mick Avery on drums  at Den haag Netherlands.Sonny on bass, far left.
Below, From the book, According to The Rolling Stones, 1962
Below from Bill Wymans book Rolling With the Stones

Copenhaver with Brad Buxer far right. Boy we had long hair.

Wednesday, January 6, 2016

2015...In Revew

So this year…2015...

Started by being accepted into the Southwest Invitational for the third time and also the traveling exhibt. This show was exhibited first at the Yuma Art Center in Yuma Arizona May 10 – May 30, 2015. then it went to the West Valley Art HQ June 26-Aug. 7, 2015, next was the Prescott College Art Gallery Sept. 5 to Oct. 17, 2015, finishing the Year at the Tubac Center for the Arts in Tubac, Arizona from October28-to Dec. 28, 2015. From there it will go to the Coconino Center for the Arts January 12 to February 17 2016 and finish up at the Phoenix Airport Museum February 27 until August 15, 2016.

Yuma Art Center

Also seen in this exhibit are Christine Cassano, Elizabeth Cheche, Jeff Falk, Sarah Kriehn and Annie Lopez. Be sure and catch it if you can.

I was invited to show at the Agora Gallery in New York and the Colorida Gallery in Lisban, Portugal, But the cost didn't seem to fit with the posibilty of showing there, so I passed.

Then came a busy autumn...
First was being invited by Randy Slack to show at the 16th annual Chaos Theory at Legend City, in October...
Closely followed by the inaugural exhibit at the new Tieken Gallery...
Tieken Gallery

Next was  A Retrospective Held by Laura Dragon at 9 the Gallery titled “This Was Now” in late November...
9 the Gallery

Lastly was the “Celebrity” exhibit at Shade Projects in the monOrchid building put on by Artist/Director Nicole Royce in December...
Celebrity

Monday, December 29, 2014

The Year in Review…2014

“Painting is really hard, It’s about accepting your limitations but reaching for the moon.”
                                                                                          -Damian Hirst

Click on photos to make bigger.

I see facebook posts each of our year’s in review. They don’t seem to go back very far though, or show what was important to us. So here is my 2014 in ART.
The year started with the last of Messin’ with the Masters at the Mesa Contemporary Art Museum. I have to say that was pretty cool. To top it off was when their acquisition comity took one of my paintings into their permanent collection. Thanks go to Colette Pecenka and Tiffany Fairall for their help.

The Birth of Marilyn...left at MCA Museum

As for other group shows I was one of the ones selected for the Arizona Artist’s Collective’ s first juried exhibit “Freedom & Justice for Art” at  {9} The Gallery and my piece was used for the invitation.
The Invitation

New City Studio included me in there Perceived Reality: The Art of the Self Portrait show and used my painting for their promotions including a poster.

My Painting as Poster...right

Last but not least I was once again honored by Randy Slack to be included in Chaos Theory 15, at Legend City. Unfortunately I couldn’t make the opening because I had plans to be in New York at that time. I did get to see a Toulouse-Lautrec show at MoMA and the Jeff Koons show at the old Whitney. I still have mixed feelings about Koons.
The Fashionistas...left at Legend City

Speaking of Randy Slack it was nice to get to see his early work at his one man show at the Lures City Center.

Another honor was when my wife and I received an invitation to Colin Chillag & Jenna Dunkin’s wedding reception.

May they always have those smiles.


 Best of all was Kristin Shears inviting me to have a one person exhibit at her Willo North Gallery.
Willo North Gallery

This turned out good in that Amy Young reviewed it in Java Magazine and the ubiquitous Nicoll Royce wrote it up in LocalRevibe Magazine. Nicole also covered me in East Valley Magazine and Yab Yum. Like I said she seems to be everywhere, beside all her wrighting she curates at monOrchid, Willo North and makes art. (See links below.) I was also invited to show at Colorida Gallery in Lisban, Portigal, but the expense was all on me. Being cost prohibitive I declined.
The bad part of the year was having a TIA that left the function of my right side off kilter. So I’ve been learning to paint anew.  Hence the quote at the top. I think I need to get back to more drawing. Then there was getting my review rejected by ArtNews…J

So fare it looks like I'll be in at least 2 group shows coming in 2015


http://javamagaz.com/June2014Page16and17.html

http://localrevibe.com/lets-get-cinematic-larry-willis-willo-north/

Friday, December 19, 2014

 Talking Heads Rouchenberg cover

Why The Music Touched Me.

There have been several bands or artists that have affected and influenced me in certain ways through the years. Most of all it was that they seemed to be having fun doing what they were doing. They each in one way or another made me want to be in that band or be them. They left me wanting more. All had some connection to art, whether it was attending art school, using artist for their covers or having an artistic bent.
The First was the BEATLES. Like so many others at the time when I saw them on Ed Sullivan I wanted to be in a band like so many others. What I liked about them was the harmonies & the melodies tied to a rock beat. They were a good cover band too, as seen on their first few albums. Before them Radio was fodder for the masses. They and the British bands in their wake changed everything. So I started a band with my neighbors Jim Carson who already played lead guitar and next door Gary who took up guitar. I was left to the drums. We knew little about bass, but we had fun. It didn’t hurt that they had art school connections and pop artist did two of there covers.

Later my friend Steve Smith got me hooked on ROD STEWART when he was with Jeff Beck. When Stewart went on to do his own stuff it was his use of unconventional instruments like the mandolin, acoustic slide and banjo that hooked me. It was especially that extraordinary voice. I wanted to sing like that so I tried gargling with brandy to get it. In the end it was really the feeling he had that did it. This was of course before Clive Davis led him astray. I was in a band at this time that was more bluesy rock & roll with a Stones, Faces influence named Samurai. Jim was Lead guitar again in that band, my brother was the bass player. Of all the bands I was in this one was a lot of fun.
DAVID BOWEY came along at right time for me. At the time of Ziggy Stardust I wanted more so I searched out his earlier stuff. His main influence at that time was lyrics since the band I was in which was an extension of Samurai was more progressive and going for a jazz influence.We were called Spooo. We were too smart for our own good. My brother was the bass player in that band. Ralf, one f the guitarists is still a close friend.

It was when the TALKING HEADS came along that I started getting into rhythm and new wave. Their was something fresh about them. Again there was an art school connection they met at the Long Island School of Design and Robert Rauschenberg did a cover for them.
I had quit music by this time but they were an influence on the paintings I was doing at the time.

This brings me to LUCIUS. I discovered this band while researching Belgian pop painter Evelyn Axell. I found them because Axell did their first album cover. They have everything I saw in the other bands, five singers for the harmonies/voices, rhythm tied to melodies and a joy that comes across in their live shows. I like their choice of cover tunes also. Their instrumentation is unconventional and uses slide guitar. Like the others they look like a band I would like to be in, but I don’t know what I would do, all they seem to lack is a bass. I guess they know little about bass, but it looks like they are having fun. Again a band one wants to be a part of, I don't know what I would do though, I play drums and they are a drummers dream.  They too seem to know little about bass. I like there retro look and stance also.

One side of me wants to keep an artist as my secret, but then I think everyone should hear them…the dilemma. I do hope they get as big as the others.




Peter Blake Beatles Cover
ART NEWS REVIEWS
This is a note I got from ArtNews for the Review I Sent them of the David Dauncy show, photos included. (I'm not sure who sined it,) I actually expected a at least a form letter. ArtNews is still my favorite art magazine. Phoenix deserves and should get more coverage. I since sent by email another (down below), we’ll see what happens...




DAVID DAUNCEY:  
Resent People
{9} The Gallery & Chaose Theory 15
Phoenix, Arizona
Painting has long been hailed as dead by many. If so, portraiture is its long gone, bastard cousin. This despite the existence and popularity of artists like Jenny Saville and Chuck Close. One Arizona based artist that pushes forward with the portrait is David Dauncey Born in Britton Dauncey has lived in the U.S. since 1994.  He has for a number of years displayed his paintings at Chaos Theory, a group exhibit looked forward to each year by the Phoenix art crowd. p Chaos Theory is mounted by fellow artist Randy Slack. In conjunction with this year’s group exhibit Dauncy has a solo show at 9 the Gallery. Dauncey concentrates on the face or a portion of the image painting out sections of the work with a solid neutral color. The offerings in size range from small to large, though none are as big as the offerings of Saville or Close. As a matter of fact some of the best in the show are Max, Vincent and Jasper, all small paintings of children. Two years ago Dauncey’s offering for the Chaos Theory show was a large portrait of his daughter Ruby. His work shown at this year’s Chaos Theory 15 is another large portrait titled simply Steven. Of his recent work this is his best.  Dauncey has stated, “the realm of portraiture intimidates and excites me.” The people of Phoenix can be happy that Dauncey shares his love of the portrait with them. We can only hope he continues to excite us despite his hope to locate to the south of France


 The second emailed review, still waiting for a response…



RANDY SLACK: Retrospective
From The Luhrs Basement and Beyond
Luhrs City Center – December 5, 2014
The Luhrs Building, is where Randy Slack, along with two other artists, collectively known as Three Car Pileup, took on studios in the basement almost 20 years ago. For one night only the Luhrs Building invited Slack back for a retrospective exhibition. In his work Slack incorporates, family, pop culture, lettering, along with icons from art history. One of the larger works in the show, a takeoff on Leonardo Da Vinci’s Last Super, titled 7 Deadly Sins, incorporates most of these. One of the strongest works in the show is titled Mother Nature which is done in acrylic and gold leaf. It pictures several cherubic children surrounding, climbing on and feeding at a Central woman. This mirrors the mother and child paintings from the renaissance. Other paintings incorporate Slack’s method of overlapping imagery until what is going on gets obscured or even cryptic, though Slack knows the meaning behind it all. One large piece that is central to the exhibit is an installation incorporating a life-size painting of his grandparents’ living room on gold leaf along with their furniture titled Light without Light that was last displayed at ASU’s Art Museum. The newer paintings exhibit like the others, a take on Slacks interest of the moment. These display classic  Volkswagens and surfing. It was a well-attended show, for those unaqointed with Slack’s paintings, it afforded an opportunity to see his progress and the maturity of his early work.                                                                          Larry Willis

Friday, August 1, 2014

Adventures in Scottsdale.

The Gallery I showed at on Marshall Way

Scottsdale looms on the horizon of the Phoenix art scene. Some see it as a commercial pit of southwest art to be avoided. Others see it as the place to be, where collectors go to buy.
I started showing my work in the 1980s when there were few venues for artists in Phoenix. Basically there were Alwun House 11 East Ashland and Mars Gallery which would open its walls to non- Hispanic artists once a year with their La Phoeniquera juried show. I had the opportunity to exhibit at each of these but Scottsdale was the mecca one strived for. There were only a few galleries handeling local contemporary talent though. There was Marilyn Buttler who had Fritz Scholder, Mark McDowell, Christopher Pelley and Earl Linderman. Elaine Horwitch with David Kessler, Bill Schenck, John Dawson, Ka Graves and others. There was Susanne Brown Who leaned more towards the Southwest with Merrill Mahafeey, Joe Baker, Anne Coe, Howard Post and the likes. Eventually Lisa Sette would move her operation to Scottsdale from Tempe.

I loved to go to the Thursday night openings, especially at Horwich and Buttler which were fun events where you could chat with Fritz Scholder and the like. There would sometimes be film crews making documentaries about featured artists. One time KAET covered a Linderman opening live. All making it seem a real art scene to be part of. Scottsdale Center for the arts did exhibits of local artists back then, before they split away and became SMoCA. After spending an evening in front of The Joy Tash Gallery visiting with Bill Schenck and Mark Hobley I decided to give that gallery a shot. I’m not sure why I picked Tash’s gallery, the work  it handled was nothing like what I was doing. In my naivety I rang up and asked to have my work looked at. I was granted an interview. I showed up with slides and a few paintings. Ms. Tash looks at my stuff, Is very gracious but in the end tells me she granted me a meeting because on the phone she thought I said I was Loren Willis. The assistant director walked me out to my car and said she really liked my work. That was a nice consolation.

Next Leslie Levy Gallery had a juried show titled “Contemporary Critters”. I entered and was accepted. I was excited that I was going to be in a Scottsdale gallery. I went to the opening and the gallery was full of art hung Salon style. The walls were so crowded it seemed the jurors must have accepted every submission. Hardly anyone was there except for a few of the artists in the show. Anne Coe who was in the show was there for about a minute before taking off for the Horwitch Gallery where the real party was going on. I soon took off myself having the same let down feeling you have the day after your first Psychedelic experience.

A couple of years ago I went to Scottsdale, not having been in some time, to see if there might be any opportunities. Walking down Marshal Way I stopped into a place and the owner told me to send in some images so I did. I was invited to show but it turned out to be a gallery where you pay a monthly fee to hang. I went ahead and showed for a month at which time the landlord locked the doors because the people running the place and a boutique next door were behind on the rent. In the end I and several other artists had to come up with the back rent to get our works out. We were told by the gallery owners they would pay us back, but I’ve yet to see it.

Soon after that I was checking galleries on Main Street and in one place the owner told me to email some images. I did and was invited to show. This place was hung floor to ceiling side by side, having the appearance of a thrift store. I remembered what David Kessler once said to me at that, it was better to not be with a gallery than to be in the wrong one. Having already made a few mistakes in this regard I decided to heed those words and pass this time.
Scottsdale is not what it once was. Many of those older galleries have closed. Ka Graves said to me one time, that her view was, When Elane Hrwitch died the soul went out of Scottsdale. 

More recently in Scottsdale, Lisa Sette and Bentley have left, others have closed. Bonner David and Gibert are holding down the contemporary fort. Earl Linderman Who was once a Scottsdale star is represented by Wilde Meyer but you have to ask to see his work. Sadly another Gallery that was lost long ago was Ivan Karp's OK Harris West on Marshall Way.

Scottsdale doesn’t have the panache or give me the desire to show there that it once did. I just wish Phoenix would have more “real” galleries that represent and push artists’ careers forward, especially mine... ;)